This season we welcome Andre Silva to the stage for SKETCH 6 with 13 years of professional dancing under his belt. He began dancing for want of being around at his mother’s dance school. Andre’s favorite part of performing is “the moments before going on stage, during, and after. The sensations and emotions that rush through the mind and body.” He’s enjoying this process because “Imagery allows you to collaborate to the creation process with a more relaxed, open minded environment between dancers and choreographers. When he’s not dancing, Andre is in nature, reading, teaching, and choreographing. See Andre in his first performance with ASI in SKETCH 6: Use Your Words at the Cowell Theater at Fort Mason, July 8-10!Leave a reply
Beth Ann Maslinoff has been taking dance seriously since she was a teenager. She began dancing for the sake of correcting alignment, but not dances to “get totally lost in the music and the movement” and “to get to experience a moment of freedom.” She states that this particular work, “Neil Gaiman’s poem…is what I mulled over the most.” She even “bought the children’s book of it”! When Beth Ann isn’t dancing, she is hiking in the beautiful Bay Area, and loves “how many beautiful trails there are close to the city and the ocean.” See Beth Ann in SKETCH 6: Use Your Words at the Cowell Theater at Fort Mason, July 8-10!Leave a reply
Dancer James Gilmer finds his love of dance in the fleeting moment on stage and the community feeling of telling a story. In SKETCH, James finds a different choreographic process with “room to explore what you’re physically capable of doing.” He’s been dancing since he was 5, simply because he had been dancing around the house to anything that was playing in the background. In the past, he feels that SKETCH has given the “opportunity to organize, refine, and explore new movement.” When he’s not dancing, James is at the gym or dreaming up new meals! Come see James on stage performing in SKETCH 6 at the Cowell Theater at Fort Mason, July 8-10!Leave a reply
This season we welcome Kelsey for her first season with ASI! She found dancing at age 8 by way of living room dancing to The Brian Setzer Orchestra, and she keeps on dancing because she loves “the perpetual challenges it presents.” We’re so excited to see Kelsey on stage for SKETCH 6. When Kelsey’s not dancing, she’s working as the chief operating officer of a Berkeley-based technology company – talk about multi-talented! She loves performing because it is “an opportunity to temporarily transform an audience member’s reality… while observing the performance, the audience is given the change to forget about their bills, work, or stressors.” Kelsey will be performing in SKETCH 6 at the Cowell Theater at Fort Mason, July 8-10!Leave a reply
SKETCH 6 Dancer, Sarah Griffin has been with every Sketch since 2010, and we’re so happy to have her performing with us. At a young age, she was shy but after seeing the Nutcracker when she was three, her mom put her in dance classes. In her own words, she dances because “it’s the one thing that fulfills me on all levels: physically, creatively, intellectually, and spiritually. Dance is my highest form of expression and the medium in which I feel most present and free. There is always something new to learn, so the adventure never ends!” When she’s not dancing, Sarah is reading, writing, swimming, working out, and traveling. See Sarah in SKETCH 6: Use Your Words at the Cowell Theater at Fort Mason, July 8-10!Leave a reply
This is Peter’s first season with SKETCH, but he’s been dancing professionally for 12 years. For him, SKETCH is a unique process because you get to experience so many new people and influences in such a short amount of time! As a kid he “fell in love with the convergence of athleticism and musicality,” and he still dances for the conveying of “different emotions and telling a story without using words.” He says, “I experience a tremendous rush of energy and presence like nothing else when I perform.” When he’s not dancing, Peter is outside hiking, climbing, swimming, and camping! Come see Peter on stage at the Cowell Theater at Fort Mason for SKETCH 6: Use Your Words, July 8-10!Leave a reply
When I started my piece two weeks ago, I had a general outline of how I wanted the piece to progress and a general sense of the mood I wanted to create. I truly wanted to take advantage of Sketch’s mission to foster risk and innovation. Usually I come in with a specific plan, usually I’m working with large groups and music that drives the piece, usually I have thought out the entire structure of a piece, but usually I have thought less as to what the piece means relying on the music to inform where the piece goes. For Sketch, I threw away all of my “usuals.” I showed up a little nervous that I would be standing around for 3 hours with nothing for the dancers to do, but also a little excited to try something entirely new. Having a jumping off point that the piece had to be inspired by or about words, already gave me a new challenge. Finding the quote “life is too short for fake butter” sent me down a rabbit hole of thoughts and ideas about not taking life for granted and not wasting a moment, not just being mindful, but relishing each moment. So instead of coming in with steps and formations, entrances and exits, I came in with a notebook full of scribblings of my thoughts on life, relationships, growing up, feeling alone, feeling a part of something, change, and growth. To my surprise three hours went quickly. The piece came together faster and with fewer bumps than almost anything I had created before. By starting with a single challenge: use your words, and then having the complete freedom to interpret it, Sketch gave me a direction but not a map. I was able to create my own path. Sketch is exactly the environment of challenge all choreographers need, because without challenges, without being taken out of our comfort zones, it is extremely difficult to grow and become more than a one-trick pony. I can only try to express my gratitude to Amy for asking me and trusting me to create for Sketch. It is an honor and a privilege to be able to create a piece using the exceptional dancers of Imagery, and have it performed alongside works by such established and revered choreographers. It has indeed pushed me outside of my comfort zone and into a new place where I simply feel comfortable.
Pictured: Nicole in rehearsal with the Smuin Ballet. Photo by Keith Sutter.Leave a reply
Annali Rose has been with ASI for four Summers and we’re so glad to have her with us for SKETCH 6! She began dancing at age 8, because her mother thought it was something every child should have the opportunity to do (we think so too!). With a background dancing for ballet and ballet-based companies, Annali feels that working on a piece for SKETCH is “a much more collaborative experience,” and challenges her “to be creative in a different way and explort outside of normal ballet parameters.” A fun fact about Annali is that she’s hooked on Words with Friends and Hanging with Friends, two games that she spends her time out of the studio on! Come see Annali in SKETCH 6: Use Your Words at the Cowell Theater at Fort Mason, July 8-10!Leave a reply
We are thrilled to announce that last night Amy won the Isadora Duncan Dance Award for Outstanding Achievement in Choreography for Back To performed by Amy Seiwert’s Imagery during SKETCH at ODC Theater last summer.
We are delighted to share this honor with Choreographer Robert Moses. A big congratulations to Amy, our Imagery Artists, and all the other winners and nominees of the 30th Isadora Duncan Dance Awards!
The Isadora Duncan Dance Awards, known locally as the “Izzies,” are awarded annually to acknowledge exceptional creative achievements in the performance and presentation of dance. Awards are given in nine categories to honor the dancers, choreographers, designers, composers, dance companies, dance scholars and other individuals who have made important contributions to the San Francisco Bay Area’s thriving dance community.Leave a reply
How does Imagery spend our free time? We like to slow things down a bit…
Peter Litwinowicz joined the Imagery dancers in the studio to “play” with Twixtor (slow motion software) by his company RE:Vision Effects. The dancers are shot on Red Epic at 120fps, retimed up to 160x slower than real time.Leave a reply