SKETCH 13: On-DEMAND
Information For Blind and Low Vision Visitors
This November, Amy Seiwert’s Imagery will release the on-demand screening of SKETCH 13: Lucky. Offered in four parts, we will release a work every Wednesday. Each work includes an audio description and will be available to view for 14 days.
Grab a blanket and your favorite beverage, and enjoy these strikingly different ballets from the comfort of your home.
November 1- 14, 2023 - Blooming Flowers and The Full Moon by Natasha Adorlee
November 8-21, 2023 - Visual Language by Trey McIntyre
November 15-28, 2023 - Gilded by Hélène Simoneau
November 22-Dec 5, 2023 - How it Feels by Amy Seiwert
Pay-what-you-can tickets are available through Eventbrite and will give you 14-day unlimited access to on-demand screening for each work.
Below are links to reserve tickets for each work and the links to access each video.
Links to Audio-Described Versions
November 1- 14, 2023:
“Blooming Flowers and The Full Moon” by Natasha Adorlee
To access the video, please use the password provided in your Eventbrite confirmation email. You can email annika@asimagery.org if you experience any issues.
November 8-21, 2023:
“Visual Language” by Trey McIntyre
To access the video, please use the password provided in your Eventbrite confirmation email. You can email annika@asimagery.org if you experience any issues.
November 15-28, 2023:
“GILDED” by Hélène Simoneau
To access the video, please use the password provided in your Eventbrite confirmation email. You can email annika@asimagery.org if you experience any issues.
November 22-December 5, 2023:
“How it Feels” by Amy Seiwert
To access the video, please use the password provided in your Eventbrite confirmation email. You can email annika@asimagery.org if you experience any issues.
About SKETCH 13: Lucky
SKETCH 13: Lucky invites four choreographers to embrace chance and create their own luck as they step out of their creative habits. What happens when we bring an element of chance into our choreographic process, challenging our collaborators to flex their creativity and leading to new discoveries? Join us as we flip a coin, roll the dice, and see what happens...
Costumes:
Susan Roemer, S-Curve Apparel and Design
Alysia Chang (for Blooming Flowers and the Full Moon)
Lighting:
Thomas Bowersox
Filmmakers:
Ben Estabrook
Audio Description:
Chibueze Crouch of Gravity Access Services
Choreography:
Amy Seiwert
Natasha Adorlee
Hélène Simoneau
Trey McIntyre
Dancers:
Anthony Cannarella
Matisse D’Aloisio
Johnathon Hart
Joseph A. Hernandez
Kelsey McFalls
Austin Powers
Grace-Anne Powers
Alison Ramoran
Tristan Toy
Isabella Velasquez
Click here for dancer bios
Any questions? Please contact us at admin@asimagery.org
Photos by David DeSilva. Featuring (left to right): ASI artists Matisse D'Aloisio in “Gilded” by Hélène Simoneau, Grace-Anne Powers and Austin Powers in “How it Feels” by Amy Seiwert, JD (Johnathon) Hart in “Visual Language” by Trey McIntyre, Joseph A. Hernandez in “Blooming Flowers and the Full Moon” by Natasha Adorlee.
Image descriptions: Four different photos are cropped side-by-side with large white text overlaid that reads: “Amy Seiwert’s Imagery, A Contemporary Ballet Company. SKETCH 13: On-Demand, New Release Every Wednesday In November.” The first image shows a female dancer who is barefoot in a nude sleeveless tunic dress doing a backbend with a long piece of red fabric flying above her head. The second image shows a male dancer catching a female dancer in mid-air. She is wearing a bright green leotard and flesh-colored pointe shoes. He is wearing long, tight pants that match her green leotard. In the third image, a male dancer is shown mid-jump, with his arms and legs tucked under his body. He is wearing cream socks and a cream-colored tank top. His shorts are also cream but are covered with colorful green and pink flaps of fabric that reveal their colors as he jumps. The fourth image shows a male dancer in black dress pants and a white button-down dress shirt, he is also wearing black socks. He is shifting his weight to the right side of his body as he gazes down at the floor. His right foot is flexed, and his arms are extended high but bent at the elbow.